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14
Ill.1.LanckorońskiPallais,HolländischerSaal–20thc.postcard,theRoyalCastle,Warsaw
studiednordescribedinthethirdvolumeofthemostrecentCorpusofRembrandtPaint-
ingsconcerningtheyears1635–1642issuedjustafewyearsbeforetheirreappearance24.
Sincethe1994Lanckorońskifamilydonation,Rembrandt’spaintingswereondis-
playintheWarsawRoyalCastle,whosemuseumundertookaprojectconcerningtheir
thoroughexaminationfocusingonconfirmationoftheirattributiontoRembrandt.
TechnicalexaminationsofbothpaintingswerecarriedoutinCracow25andinWar-
saw26.ExperienceresultingfromtheconservationtreatmentofRembrandt’sLandscape
withtheMercifulSamaritanfromtheCzartoryskiMuseuminCracowwashelpfulto
theWarsawconservationproject,asdidthesupportfromMartinBijl,arestorerofRem-
brandt’spaintings,acollaboratoroftheRembrandtResearchProjectandformerHead
oftheConservationDepartmentattheRijksmuseum.Aninterpretationofthetechnical
24
E.vandeWetering,J.Bruyn,B.Haak,S.H.Levie,P.J.J.vanThiel,ACorpusofRembrandt
Paintings,1989,vol.3.
25
ThebeginingexaminationwascarriedoutbyMariaRogóż,PhDintechnicalsciences,andMałgo-
rzataWalczak,MA,FacultyofConservationandRestorationofWorksofArt,AcademyofFineArt
inCracow:Thecross-sectionandexaminationsofpigments,fillersandbindersofsamplestakenfrom
Portraitofyoungwoman("JewishBride”),andfromPortraitofScholar("FatherofJewishBride”),
RembrandtvanRijnfromRoyalCastleinWarsaw,typescript2005.
26
ThemainexaminationwascarriedoutbyA.Nowicka,MAandI.Zadrożna,PhDintechnical
sciences.SeeA.Nowicka,I.Zadrożna,AnalizapigmentówispoiwwarstwmalarskichobrazówRem-
brandtavanRijnUczonyprzypulpicieiDziewczynawramieobrazuzezbiorówZamkuKrólewskiego
wWarszawie,,,Ochronazabytków”,2009,no.3,p.5–13.