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KristineKhouriisanindependentresearcherandwriter
RashaSaltiisanindependentfilmandvisualarts
whoseresearchinterestsfocusonthehistoryofarts
curatorandwriter.Shehasco-curatedseveralfilmprograms,
circulationandinfrastructureintheArabworld,andarchival
including
TheRoadtoDamascus
(withRichardPeña),
practicesanddissemination.TogetherwithRashaSalti,she
aretrospectiveofSyriancinemathattouredworldwide
isaco-founderoftheHistoryofArabModernitiesintheVisual
(2006–08);
TheCalmBeforetheStorm:ARetrospective
ArtsStudyGroup,aresearchplatformfocusedonthesocial
ofLebaneseCinema
(alsowithPeña),whichwaspresented
historyofartintheArabworld.Theircurrentworkiscentered
attheLincolnCenterinNewYork(2009);
Mapping
onthehistoryofthe
InternationalArtExhibitionfor
Subjectivity:ExperimentationinArabCinemafromthe1960s
Palestine
,whichopenedinBeirutin1978,andhasbeen
UntilNow
(withJytteJensen),whichwasshowcasedatthe
transformedintotheirarchivalanddocumentaryexhibition
MoMAinNewYork(2010–12);and
SavingBruceLee:Arab
PastDisquiet:NarrativesandGhostsfromtheInternational
andAfricanCinemaintheEraofSovietCulturalDiplomacy
ArtExhibitionforPalestine,1978
,shownattheMuseud’Art
(withKoyoKouoh)attheHausderKulturenderWelt,Berlin
ContemporanideBarcelona(2015),theHausderKulturender
(2018).Inaddition,shehascuratedfilmprogramsforthe
Welt,Berlin(2016),theMuseodelaSolidaridadSalvador
MuséeJeudePaumeinParis(2012,2013,and2015),andfor
Allende,Santiago(2018),andtheSursockMuseum,Beirut
theTateModerninLondon(2011).Saltico-curatedthe10th
(2018).Khourialsocurated
TheFoundingYears(1969–1973):
editionoftheSharjahBiennialfortheArts(2011),aswell
ASelectionofWorksfromtheSultanGalleryArchives
atthe
astheexhibition
PastDisquiet:NarrativesandGhostsfrom
SultanGallery,Kuwait(2012).Sheco-ledaDigitizingArchives
theInternationalArtExhibitionforPalestine,1978
,with
WorkshopwithSabihAhmedoftheAsiaArtArchiveinKuwait
KristineKhouri,attheMuseud’ArtContemporani
aspartofArtDubai’sGlobalArtForum(2015)andco-
deBarcelona(2015),theHausderKulturenderWelt,Berlin
organizedthe
DigitalMethodologies
workshopatmarra.tein
(2016),theMuseodelaSolidaridadSalvadorAllende,
(Beirut,2017).Khourihasalsocollaboratedasaresearcher
Santiago(2018),andtheSursockMuseum,Beirut(2018).Her
withartistsJoanaHadjithomas,KhalilJoreige,andWalidRaad,
articlesandessayshavebeenpublishedin
TheJerusalem
aswellaswithvariousregionalartsinstitutionsasawriter
QuarterlyReport
,
Naqd
,
MERIP
,
TheLondonReview
andresearcher,andasaprojectconsultantforprojectssuch
ofBooks
,
Afterall
,and
ThirdText
,aswellasinseveral
astheYoungArabTheaterFund’sMeetingPointsFestival,the
anthologiesdedicatedtofilm,art,andculture.In2006,Salti
SharjahArtFoundation,AshkalAlwan,theSaradarCollection,
edited
InsightsintoSyrianCinema:EssaysandConversations
theSultanGalleryArchives,andtheSursockMuseum.She
withFilmmakers
(ArteEastandRattapallaxPress),and,
hascontributedtextsto
TheRoadtoPeace
(Beirut,2009),
in2009,shecollaboratedwithphotographerZiadAntar
aswellastoseveralpublications,including
Bidoun
,
The
onanexhibitionandbooktitled
BeirutBereft:The
National
(AbuDhabi),the
ArtAsiaPacificAlmanac
,GlobalArt
ArchitectureoftheForsakenandMapoftheDerelict
.In2010,
Forum6:TheMediumofMedia’spublication
TL;DR:Some
sheco-edited
IWouldHaveSmiled:ATributetoMyrtle
MediumStories
(2012),
LabourofLove
(PalestinianMuseum,
Winter-Chaumeny
withIssamNassar,abookdedicatedtothe
2018),andforthcomingbooksonHamedAbdallaandSeta
legacyoftheBritishphotographerandfounderoftheUnited
Manoukian.Shewasasectioneditorforthepublication
NationsReliefandWorksAgency(UNRWA)photographic
accompanyingtheexhibition
TimeIsOutofJoint
(SharjahArt
archive.
Foundation,2016).Khouriisamemberoftheboardofthe
ArabImageFoundation,Beirut.
