From Queen Anne to Queen Victoria. Volume 6

Grażyna Bystydzieńska, Emma Harris

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ISBN/ISSN:

978-83-235-3612-3

DOI:

https://doi.org/10.31338/uw.9788323536123

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2018

Liczba stron:

328

XML:ISBN/ISSN:

ONIX MARC21

Bibliografia:

. From Queen Anne to Queen Victoria. Volume 6. Red. Bystydzieńska, Grażyna; Harris, Emma . Warszawa: Uniwersytet Warszawski, 2018, 328 s. ISBN 978-83-235-3612-3, doi: https://doi.org/10.31338/uw.9788323536123

Bibliografia refWorks:

RT Book, Whole

SR Electronic(1)

A2 Bystydzieńska, G.

A2 Harris, E.

T1 From Queen Anne to Queen Victoria. Volume 6

PB Uniwersytet Warszawski

PP Warszawa

YR 2018

SN 978-83-235-3612-3

DOI https://doi.org/10.31338/uw.9788323536123

Bibliografia BibTex:

@Book{ 241257, author = "", editor = "Bystydzieńska, Grażyna and Harris, Emma", title = "From Queen Anne to Queen Victoria. Volume 6", publisher = "Uniwersytet Warszawski", year = "2018", address = "Warszawa", isbn = "978-83-235-3612-3", doi = "https://doi.org/10.31338/uw.9788323536123" }

Bibliografia endNote:

TY - BOOK

AU -

ED - Bystydzieńska, Grażyna

ED - Harris, Emma

TI - From Queen Anne to Queen Victoria. Volume 6

PB - Uniwersytet Warszawski

CY - Warszawa

PY - 2018

SN - 978-83-235-3612-3

ER -

DOI - https://doi.org/10.31338/uw.9788323536123

Netografia (standard APA):

. Red. Bystydzieńska, Grażyna; Harris, Emma. From Queen Anne to Queen Victoria. Volume 6 [baza danych online] Warszawa: Uniwersytet Warszawski, 2018 [dostęp: 07 07 2024]. Dostęp w Ibuk Libra: https://libra.ibuk.pl/reader/from-queen-anne-to-queen-victoria-volume-6-grazyna-bystydzienska-emma-241257. doi: https://doi.org/10.31338/uw.9788323536123

XIX wiek, XVIII wiek, królowa Wiktoria, kultura brytyjska, literatura brytyjska, 19th century, 18th century, Queen Victoria, british literature, british culture, Queen Anna, Victorian society, królowa Anna, społeczeństwo wiktoriańskie

Szósty tom serii „From Queen Anne to Queen Victoria” zawiera artykuły dotyczące kwestii związanych ze sztukami wizualnymi i muzyką, religią, problematyką gender oraz zagadnieniami społeczno-politycznymi, pojawiających się w Wielkiej Br...

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ISBN/ISSN:

978-83-235-3612-3

DOI:

https://doi.org/10.31338/uw.9788323536123

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2018

Liczba stron:

328

XML:ISBN/ISSN:

ONIX MARC21

From the Editors9
Anna AntonowiczThe Un-Corseted Body and the Retro-Future of Pre-Raphaelite Dress13
Dorota BabilasNeo-Victoria? Representations of the Young Monarch in The Young Victoria (2009) and Victoria TV Series (2016)27
Marek BłaszakPirate John Gow and Literary Renderings of his Career by Daniel Defoe and Sir Walter Scott37
Eliza BorkowskaThe Child vis-à-vis God in the Poetry of William Wordsworth49
Aleksandra BudrewiczJózef Ignacy Kraszewski’s Jermoła versus George Eliot’s Silas Marner (a Historico-Literary Outline)59
Grażyna Bystydzieńska“I was on a journey”. John Henry Newman’s Search for the Ultimate Truth (Apologia and The Dream of Gerontius)71
Ilona DobosiewiczVictorian Anxieties Concerning Old Age in Anthony Trollope’s The Fixed Period81
Emma HarrisPoles and Precursors in 1830s London89
Justyna Jajszczok‘Filthy Egyptian Tricks’ in Arthur Conan Doyle’s “The Ring of Thoth” and “Lot no. 249”105
Anna Kędra-KardelaSpaces that Haunt: Elizabeth Gaskell’s “The Old Nurse’s Story”115
Katarzyna KłosińskaThe History of the Queen Margaret College Settlement in Glasgow from 1898 to 1914125
Katarzyna KociołekLandscaping Irishness in the 19th Century133
Joanna KokotA Doppelganger or “the animal within me”? Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde145
Barbara KowalikThe Leaf Motif: Tolkien’s Tree and Leaf vs. Ruskin’s The Nature of Gothic157
Katarzyna Kozak“This place has more stairs than the Museum of Natural Philosophy” – the Imaginary World of Stephen Hunt’s The Court of the Air169
Anna Krawczyk-ŁaskarzewskaThe Smiling Daughters of Darkness: Visual Reimaginings of Joseph Le Fanu’s Carmilla179
Lucyna Krawczyk-ŻywkoThe Hunt is On: Inter- and Paratextuality in The Autobiography of Jack the Ripper189
Ewa Kujawska-LisA Christmas Carol: A Therapeutic Tale?199
Monika Mazurek“Did Guy Fawkes ever live?”: Evolving Perspectives on the Figure of Guy Fawkes in Victorian Literature211
Heather NegrónDis-abled Bodies: Disability and Vulnerability in Mary Shelley’s Frankenstein219
Małgorzata NitkaArt and Argument in Charles Reade’s Hard Cash and Wilkie Collins’s Heart and Science229
Dominika OramusVoices Prophesying War. Late Victorian Scientists and Speculative Writers239
Aleksandra OżarowskaWomen in Power and in Love: 19th-Century Portraits of British Queens in Gaetano Donizetti’s Operas251
Adaptations of Roman Plots in John Dennis’s Tragedies265
Magdalena PypećThe Racialized Body in The Mystery of Edwin Drood273
Agnieszka Setecka“Groping in the dark”: the Representation of Poverty in Charles Dickens’s Bleak House285
Urszula Terentowicz-FotygaJane Austen’s Pride and Prejudice as a Dialogue with the Country House Ideal295
Pope’s ‘Solid Pudding,’ Swift’s ‘Proposal,’ and the Poor: Poverty in Scriblerian Texts313

AnnaAntonowicz

objectsofreligiousdevotion.Theneedle,prayerandlongingfortheabsentmale

heroarethesoledutiesandpleasuresofMariana’sconfinement.Theimplied

expectationsfortheVictorianwomanareunmistakable:thewomanissupposed

tobesecluded,faithful,piousanddutiful.Intheend,thus,thepaintingconfirms

theneedtocontrolfemalesexualityenhancedby‘natural’dress,andpointsto

woman’schastityshapedpredominantlybyawoman’ssurroundingsnother

dress,advocatingtheagencyofmalepowertoshapethewoman’senvironment

anddestiny.ThesexualityexpressedbyMariana’sstretcheduncorsetedbody

canonlybecontainedbytheisolatedandenclosedinterior,andtamedbythe

practiceofdomesticcraft.

ThefactthatthemodelswhoposedfortheBrotherhoodartistsdidnotwear

theirartisticdressesinpublic,outsidethewallsoftheirhomesandstudiosas

wellastheframesofthepaintingsandphotographs,onlyaddstothecharacter

ofPre-Raphaelitedressasliberatingthefemalebodybutnotthewoman

wearingit.Anytransgressionoffixedsocialandmoralpatternswasseverely

punished.Ophelia,inanother(1851-2)paintingbyMillais,whoventuredout

ofherdomesticsphereintotheopenair,suffersthedeadlyconsequencesof

hertransgression.

Themodern/anti-modernparadoxofPre-Raphaelitedressstems,then,from

severalfactors.Firstly,theBrotherhood’sdressdesigncertainlyexpressedthe

modernidealsofmobilityandindividuality,yettheartistschosetopraise

theprogressiveindividualismofthewomanandtheparticularitiesofhernatural

bodythroughantiquatedhistoricgarments,implyingtosomedegreethatbeing

authenticandnaturalisafterallaposethatinvolvesputtingonacostume.

Secondly,thePre-Raphaelitedressliberatedawoman’sbodyandsexualitybut

nottheentiretyofawoman’slife.TheBrotherhoodartistscouldnot,ordidnot

wantto,escapethesocialandmoralconstraintsoftheirtime,particularlywithin

thedomainofgender.

Andyet,sincetheimagesofPre-RaphaeliteclothingquestionedtheVictorian

conceptofwoman’scorporalityandcharacter,thewomeninthepaintingsbecame

iconicfiguresofsubversion,whilePre-Raphaelitedressbecameassociatedwith

progressivevaluesandwoman’srights.Thoughhistoricallystyledandpublicly

restricted,themoststrikingfeatureofthepre-Raphaelitegarmentswasthatthey

allowedforfreedomofmovement.Bythe1870stheclotheswereasymbolof

anew,freerlifestyle,whichpromotedmoreagencyforthewomenthatwore

them.WhatwasleftofthelegacyofthePre-Raphaelitedressinthesubsequent

formsofartisticandreformdresseswasnottheelevationoftheparticularsof

natureorahistoricalstyle,buttheabstractedprinciplesofnature:itsmotionand

vitality.Inhislecture“TheLesserArtsofLife”,WilliamMorriswrote:

RobyneEricaCalvert,op.cit.,pp.46-47.

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From Queen Anne to Queen Victoria. Volume 6

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