Masterpieces of Polish Literature and Film

Lidija Rezoničnik, Seweryn Kuśmierczyk

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ISBN/ISSN:

978-83-235-5831-6

DOI:

https://doi.org/10.31338/uw.9788323558316

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2023

Liczba stron:

222

XML:ISBN/ISSN:

ONIX MARC21

Bibliografia:

Rezoničnik, Lidija; Kuśmierczyk, Seweryn. Masterpieces of Polish Literature and Film. Red. . Warszawa: Uniwersytet Warszawski, 2023, 222 s. ISBN 978-83-235-5831-6, doi: https://doi.org/10.31338/uw.9788323558316

Bibliografia refWorks:

RT Book, Whole

SR Electronic(1)

A1 Rezoničnik, L.

A1 Kuśmierczyk, S.

T1 Masterpieces of Polish Literature and Film

PB Uniwersytet Warszawski

PP Warszawa

YR 2023

SN 978-83-235-5831-6

DOI https://doi.org/10.31338/uw.9788323558316

Bibliografia BibTex:

@Book{ 288951, author = "Rezoničnik, Lidija and Kuśmierczyk, Seweryn", editor = "", title = "Masterpieces of Polish Literature and Film", publisher = "Uniwersytet Warszawski", year = "2023", address = "Warszawa", isbn = "978-83-235-5831-6", doi = "https://doi.org/10.31338/uw.9788323558316" }

Bibliografia endNote:

TY - BOOK

AU - Rezoničnik, Lidija

AU - Kuśmierczyk, Seweryn

ED -

TI - Masterpieces of Polish Literature and Film

PB - Uniwersytet Warszawski

CY - Warszawa

PY - 2023

SN - 978-83-235-5831-6

ER -

DOI - https://doi.org/10.31338/uw.9788323558316

Netografia (standard APA):

Rezoničnik, Lidija; Kuśmierczyk, Seweryn. Masterpieces of Polish Literature and Film [baza danych online] Warszawa: Uniwersytet Warszawski, 2023 [dostęp: 11 09 2024]. Dostęp w Ibuk Libra: https://libra.ibuk.pl/reader/masterpieces-of-polish-literature-and-film-lidija-rezonicnik-seweryn-288951. doi: https://doi.org/10.31338/uw.9788323558316

Jerzy Kawalerowicz, Matka Joanna od Aniołów, adaptacje filmowe, Wesele, Wajda, analiza antropologiczno-morfologiczna, anthropological and morphological analysis, The Pharaoh, Prus Faraon, kanon literatury polskiej, klasyka polskiego kina, The Wedding, Mother Joan of the Angels, canon of Polish literature, Polish film classics, film adaptations

The book collection Masterpieces of Polish Literature and Film presents important works of Polish literature and their film adaptations, which are distinguished by a high artistic level and are among the classics of Polish cinematography. Each boo...

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ISBN/ISSN:

978-83-235-5831-6

DOI:

https://doi.org/10.31338/uw.9788323558316

Wydawnictwo:

Uniwersytet Warszawski

Rok wydania:

2023

Liczba stron:

222

XML:ISBN/ISSN:

ONIX MARC21

INTRODUCTION9
PHARAOHLidija Rezoničnik“We Are the State”. Pharaoh by Bolesław Prus 17 The Feuilleton Novel and Book Versions20
Egypt in the Polish Literary Tradition and among Readers21
The Narrator and the Image of Egypt22
A Historiosophical Novel24
A Bildungsroman Novel25
The Mechanisms of the Operation of the State28
Bibliography31
Seweryn KuśmierczykThe Cinematic Image of Ancient Egypt. Pharaoh by Jerzy Kawalerowicz 35 Ancient Egypt: A Reality that Exists36
Scenography39
Light in Pharaoh42
Archetypal Light43
Why Did the Sand Have to Be Grey?44
Light of Ramses45
The Solar Eclipse Scene45
Light in Interiors46
Pharaoh’s Colours50
Pharaoh as a Cohesive Form55
The Main Compositional Axis of the Film55
The Central Composition, Symmetry and Register Perspective57
The Presence of a Subjective Camera59
Subjective Camera Proxemics in the Battle Scene60
Music and the Audio Layer of the Film64
Pharaoh as a Work of Craftsmanship67
Images from the Film68
Bibliography74
THE WEDDINGLidija Rezoničnik“Poland – That Is a Big Thing”. The Wedding by Stanisław Wyspiański 81 Kraków after Wyspiański’s Return from Paris82
The Play The Wedding: Extraliterary Background83
First Reading and Theatre Staging86
Internal and External Structure of the Play89
National Drama91
Symbolism92
Synthesis of the Arts93
Dialogue with Painting94
Dialogue with Music98
Dialogue with Literature99
“Blow the Horn with Utmost Might and All Our Spirits Will Ignite as Never in a Century!”101
Bibliography102
Seweryn KuśmierczykA Film Mandala. The Wedding by Andrzej Wajda 106 The Film The Wedding as a Performance of Stanisław Wyspiański’s Score108
The Film Setting of The Wedding109
Like a Raven at a Wedding…112
A Film Planned on a Mandala113
The Fractal Structure of the Movie114
The Dance Sequence116
Rachel118
“No Matter What He Has in Mind or, in His Dreams, May Find”119
“He’s Not Just Anyone…”: The Helper121
The Liminality of the Night in Bronowice123
The Dramaturgy of Colours124
The Metamorphosis of the Dance126
Images from the Film127
Bibliography133
MOTHER JOAN OF THE ANGELSLidija RezoničnikA Metaphor for Evil. Mother Joan of the Angels by Jarosław Iwaszkiewicz 141 Loudun and Ludyń: Chronotope143
Demons, Human Nature or Personal Trauma?144
The Rabbi and the Jewish Community147
Internal Form of the Novella148
A Metaphor for Evil149
The Ambiguity of the Literary Characters149
Bibliography151
Seweryn KuśmierczykLost Travellers. Mother Joan of the Angels by Jerzy Kawalerowicz 154 The Drama of Human Nature155
A Film by Jerzy Kawalerowicz and Jerzy Wójcik158
The Closed Space of the Action Space160
The Opposition of the Inn and the Monastery161
“They’re Ringing. Why Are They Ringing?”163
Principles of Frame Composition164
Structure of the Film166
On the Threshold of the Inner World169
The Audio Layer of the Film and the Meaning of the Music170
The Role of Spinning and Circular Motion172
White, Black and Liminal Grey173
“And I Became to Myself a Barren Land”177
Images from the Film180
Bibliography188
Seweryn KuśmierczykAnthropological-Morphological Analysis of a Film as Film Studies Practice 195 The Cinematographic Work Deserves Attention195
‘Thick Description’ in Film Studies196
The Principle of Syzygies197
Analytical Proceedings198
Anthropology and Poetics200
Bibliography201
FILMOGRAPHY207